UNCOLLECTED ROYALTIES
ROYALTY FINDER
Find what you’re owed
Enter your name and we’ll check what’s sitting unclaimed under it. Free, no commitment.
I’m an artist
I’m a songwriter
Your artist name or songwriter name
Free to check · No upfront cost to recover · You keep 85%
01
It piles up silently.
Publishing royalties only get paid when a
recording's ISRC is correctly matched to its composition. When that link is missing the
money doesn’t flow back to you. It waits.
02
The system wasn’t built for you.
Claiming it means registrations, matching files, and a fluency in a system built for publishers with whole teams. So most artists never start.
03
Then it gets given away.
Unclaimed money doesn’t stay unclaimed forever. It eventually gets redistributed — and it flows by market share, to the biggest players. Music you made, paid out to someone else.
THE GUIDE
The whole dataset. We ingest the entire MLC catalogue and refresh it continuously.
Ranked by value. We surface the high-value money first, so effort goes where the royalties actually are.
We don’t just find it — we collect it. A search tool can show you a number. ReRight is built on direct licensing infrastructure, so we actually administer your publishing and collect what you’re owed across every DSP.
Aligned by design. Recovery-first. We only make money when you get paid.
Getting paid takes three steps
01
Run your name.
Share your artist alias and real name. ReRight checks it against MLC data and sees what you have sitting unclaimed.
02
Get your report.
We'll send back a report of what’s sitting unclaimed, ranked by value — the recordings earning royalties that aren’t reaching you. Free.
03
We recover it, and keep it flowing.
Give us the go-ahead and we register, match, and recover what’s yours — then, as your publisher, keep collecting everything you earn across every platform. No upfront cost. You keep 85%.
Unclaimed royalties don’t wait for you to notice.
Soon the MLC will begin redistributing money that no one has claimed— and it moves by market share, toward the biggest companies. Every cycle you go unmatched is money earned once and collected by someone else. The sooner you’re registered and matched, the more of it stays yours.
Find what you’re owed
What changes when ReRight is on it
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Money you’d written off, recovered and paid to you.
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Your catalogue correctly registered and matched — visible, not invisible.
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ReRight as your publisher, collecting everything you earn across every DSP — not just US mechanicals.
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No registrations to learn, no files to wrangle, no chasing.
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One less thing leaking money in the background of your career.
Already signed, or have a publisher, but suspect royalties are going missing? That happens more than it
should. We’ll run a free analysis and show you what’s slipping through — you don’t have to move anything.
Get in touch →
Common questions
What are mechanical royalties, and what's the MLC?
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Every time a song is streamed or sold, it earns royalties for the people who wrote and own the composition. In the US, the MLC collects and pays the mechanical share — but only when the recording is correctly matched to the composition. When it isn't, the money sits unclaimed.
How do you find money I don't know about?
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We check your name against MLC data and surface recordings earning royalties that aren't reaching you, ranked by value. Run the finder above for an instant look.
Is this just US mechanical royalties?
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That's where the finder starts, because it's where the clearest unclaimed money sits. But ReRight isn't a search tool — we're built on direct licensing infrastructure, so as your publisher we administer and collect across every DSP and royalty type, not just US mechanicals.
What does it cost?
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Nothing upfront. We're paid only from what we recover, and you keep 85%. If there's nothing to recover, you owe nothing.
I already have a publisher — can you still help?
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Possibly. You don’t have to move anything to find out — we’ll run a free analysis of what’s slipping through and help your publisher fix it.
What do I have to hand over?
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To check, just a name. To see the full reading and start recovery, you create an account. Nothing sensitive up front.
Who's behind ReRight?
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Music people with tech expertise. Between us we've released on labels like R&S, Warp and BBE, DJ'd at clubs and festivals like Circoloco and Glastonbury, worked on tech systems like Content ID at YouTube, and negotiated with all the majors. We've watched this money go uncollected first-hand, including our own. We built ReRight to fix it.
Pick artist or writer, enter your name, see what’s sitting unclaimed under it.